From: owner-exotica-digest@lists.xmission.com (exotica-digest) To: exotica-digest@lists.xmission.com Subject: exotica-digest V2 #541 Reply-To: exotica-digest Sender: owner-exotica-digest@lists.xmission.com Errors-To: owner-exotica-digest@lists.xmission.com Precedence: bulk X-No-Archive: yes exotica-digest Friday, November 12 1999 Volume 02 : Number 541 In This Digest: Re: Re: (exotica) Didn't RealAudio ask for it? (exotica) Tabu movie showing at Stanford Re: (exotica) That early? Re: (exotica) That early? Re: (exotica) That early? (exotica) Wait Until Dark Re: (exotica) Wait Until Dark Re: Re: (exotica) Didn't RealAudio ask for it? (exotica) Martin Denny/Don Tiki show Re: Re: Re: (exotica) Didn't RealAudio ask for it? Re: (exotica) Astroslut cd Re: Re: (exotica) Didn't RealAudio ask for it? Re: (exotica) That early? Re: Re: (exotica) Didn't RealAudio ask for it? (exotica) stereo vs mono Re: (exotica) Didn't RealAudio ask for it? Re: (exotica) Astroslut cd Re: (exotica) stereo vs mono (exotica) Re: That early? Re: (exotica) That early? Re: (exotica) stereo vs mono Re: (exotica) Zounds! It's stereo vs mono ! Re: (exotica) stereo vs mono Re: (exotica) stereo vs mono Re: (exotica) Re: That early? Re: (exotica) Martin Denny/Don Tiki show re:(exotica)that early? (exotica) Luxuria.com Re: (exotica) Tabu movie showing at Stanford Re: (exotica) Didn't RealAudio ask for it? (exotica) LA area DJs wanted Re: (exotica) That early? Re: (exotica)that early? Re: (exotica)rum! (was: that early?) Re: (exotica) Didn't RealAudio ask for it? Re: (exotica) That early? Re: (exotica)that early? Re: (exotica) Astroslut cd Re: (exotica) Didn't RealAudio ask for it? Re: (exotica) Luxuria.com Re: (exotica) Luxuria.com Re: Re: (exotica) Didn't RealAudio ask for it? (exotica) Re: Mancini Re: (exotica) Luxuria.com RE: (exotica) LA area DJs wanted ---------------------------------------------------------------------- Date: Thu, 11 Nov 1999 11:15:35 -0500 From: wlt4@mindspring.com Subject: Re: Re: (exotica) Didn't RealAudio ask for it? > buying used books still >in print. I remain guilt free only when music or books I buy are not >otherwise available. Don't know why you should feel guilty about buying used books or CDs. The artist has been paid and this is perfectly legal. LT # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 08:42:57 -0800 From: "Kevin C." Subject: (exotica) Tabu movie showing at Stanford 1931 Silent movie Tabu filmed in Bora Bora will be showing at the Stanford Theatre in Palo Alto, CA on Dec. 18-19th. The movie features an all-Polynesian cast and will be shown with its original musical soundtrack (not organ). This in no way makes up for missing Martin Denny and Don Tiki playing this Saturday at Don Ho's (especially since I was just in Hawaii), but might be interesting. http://us.imdb.com/Title?0022458 http://www.swixo.com/stanford/ - -Kevin Crossman # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 18:16:10 +0000 From: M H Jemmeson Subject: Re: (exotica) That early? Rcbrooksod@aol.com wrote: > > In a message dated 11/10/99 2:18:47 PM Pacific Standard Time, > michael@jemmeson.freeserve.co.uk writes: > > << I was listening > for the first time to Felix Mendelsohn and his Hawaiian Serenaders > earlier today, and he was the grandson or great grandson of the other > Felix Mendelsohn (as in Fingal's Cave etc)... > A bit sunnier in Hawaii than the Hebrides perhaps... >> > > I have lots of 78's by Mendelsohn and the Hawaiian Serenaders. I hate to say > it but most of them sound the same. And while I obviously love Exotica > music, I do not particularly like Hawaiian music (OK, maybe one or two tunes > occasionally). I quite enjoyed the stuff I heard, mostly because many tracks had vocals, which I think fits Hawaiian music well. The other reason I mentioned him in this thread (besides the "Ooh! famous relative!" connection) was because I think he's an example of quite early British Hawaiian music (I forgot to say that). # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 19:57:08 +0100 From: Mo Subject: Re: (exotica) That early? Ton Rueckert wrote: > Here's what MELANIE TANGKAU says about it on the Dutch Pasar Malam > (traditional Indonesian market) website: krontjong (keroncong in > Indonesian) is a typically Eurasian music style, with European and Asia= n > roots; its birth at the end of the sixteenth century probably makes it > the first east-west-world music in history. The genre is related to the > Argentinian tango and the mornas from the Cape Verdi Islands (made famo= us > by Ces=E0ria =C9vora). Toegoe, then a small village outside of the capi= tal > Batavia, today a district of metropolitan Jakarta called Tugu, was the > birthplace of krontjong. Aaah! That's what I wanted to read. New record in tracing back the roots = of Exotica. Late 16th century... I wonder how exactely things developed in t= he 17th, 18th and 19th century! Mo # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 13:15:30 -0500 From: mimim@texas.net (Mimi Mayer) Subject: Re: (exotica) That early? At 12:02 PM 11/11/99, Ton Rueckert wrote: >There are two articles explaining the history of krontjong (it seems to >have the same roots as Hawaiian music...) in more detail, in Dutch alas, >but I'm willing to translate if there's any interest... Please count me interested, Ton, if it won't eat up too much time. A good summary would do. Thanks! Mimi # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 13:06:04 -0600 From: "Mark D. Head" Subject: (exotica) Wait Until Dark There is an absolutely beautiful version of the title cut on Walter Wanderley's "Kee-Ka-Roo" release, with a female singer whose name currently escapes me singing in absolutely gorgeous tones! Highly recommended! And generally available these days... - -- Mark D. Head The Captain mdhbene@airmail.net _______________________________________________ I thought a movie score was picking up a chick in the balcony! # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 14:19:24 EST From: DJJimmyBee@aol.com Subject: Re: (exotica) Wait Until Dark I found one more version on Enoch Light's "Film Fame" LP....JB # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 13:35:10 -0500 From: mimim@texas.net (Mimi Mayer) Subject: Re: Re: (exotica) Didn't RealAudio ask for it? >> buying used books still >>in print. I remain guilt free only when music or books I buy are not >>otherwise available. > >Don't know why you should feel guilty about buying used books or CDs. The >artist has been paid and this is perfectly legal. I feel guilty cuz I've seen the dismay on my husband's face when he comes across copies of his novels in the used bookstores. Another royalty he didn't get, and the bookseller gets all the profit. (Not that begrudge booksellers their profits. I just know what it's like to see someome else rakin' in bucks over my work.) BTW, authors get no royalties on remaindered books. So even though Jim's latest book is on sale in the latest Daedelus catalog, he'll get no dough from it. He was pleased that Daedelus is marketing the remainders. Particulars: Publish and Perish, James G. Hynes. Is the similar policy in place for music cutouts? One other question: Writers get lower royalities on books sold through the discounters Amazon.com, Barnes and Nobels, and some Borders selections. Is the same true of CDs sold through music discounters like CDNow? Thanks for wisdom. Mimi Now I really WILL shut up. # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 11:49:41 -0800 From: "Kevin C." Subject: (exotica) Martin Denny/Don Tiki show Is there any chance the Martin Denny/Don Tiki appearance will be video/audio taped? Given the multi-generational participation at this event (on Saturday at Don Ho's) it sure seems like a once-in-a-lifetime kind of thing. Sure wish I could afford to fly over there to see it... Lloyd, be sure to report back to us on how things go... :-) Kevin Crossman The Search for the Ultimate Mai Tai http://www.kevdo.com/maitai/ # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 15:09:42 -0500 From: wlt4@mindspring.com Subject: Re: Re: Re: (exotica) Didn't RealAudio ask for it? >across copies of his novels in the used bookstores. Another royalty >he >didn't get, and the bookseller gets all the profit. (Not that begrudge But he already got a royalty from the copy; just not from the resale and considering how firmly established the First Sale Doctrine is, this is unlikely to change. It seems like an equitable arrangement to me--not only in its particulars but because changing it would probably do serious damage to the state of our culture--and yes that's speaking as someone who's had work resold with no further payment to myself. # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 15:48:46 -0500 From: "m.ace" Subject: Re: (exotica) Astroslut cd >I'd like to have it to but I do only Vinyls! >Is that possible ? I think you'd need one of these: http://www.voicenet.com/~ecam/home_record_maker.jpg m.ace ecam@voicenet.com OOK http://www.voicenet.com/~ecam/ # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 17:15:26 -0500 From: "m.ace" Subject: Re: Re: (exotica) Didn't RealAudio ask for it? Just discovered this little item called "Final Exam": http://www.skyhunter.com/marcs/finalexam.html It's a series of questions involving possible complications of the web. I think you'll find that it fits into the complicated nature of this thread. No copying from your neighbor's paper. m.ace ecam@voicenet.com OOK http://www.voicenet.com/~ecam/ # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 17:28:31 -0500 From: Nat Kone Subject: Re: (exotica) That early? At 07:16 AM 11/11/99 EST, Rcbrooksod@aol.com wrote: >And of all the different types of songs, tunes, etc. that Denny did, >"Hawaiian Tattoo" is the only one that really sounds Hawaiian. What did Hawaiian music sound like before it (presumably) mutated into the kind of "Pineapple Joe and his Island Serenaders sing Sweet Leilani" stuff that came to be called "Hawaiian"? What was the Hawaiian music that mainland musicians heard that influenced them to incorporate Hawaiian sounds into their music, eventually creating stuff like "My little grass shack"? Was it just the sound of the "Hawaiian guitar"? I know it's dangerous to try and guess someone's origin from their name but for instance, I see that the composer credits for "Grass shack" seem to be very "Anglo" whereas there are Hawaiian-looking names on the credits for "Hawaiian war chant" and "On the beach at Waikiki". Was traditional Hawaiian music always concerned with beaches, grass skirts, grass shacks and the notion of "paradise"? (Hard to imagine that.) The only thing that I know which is supposed to resemble traditional Hawaiian music is that of Gabby Pahinui. I'm not sure what I can extrapolate from that. Did Hawaii have "pop musicians" of its own in the 20's and earlier? Did Hawaiian pop musicians help create this mutation of their own traditional music? And where did their traditional music come from anyway? Did it develop in a vacuum? Just wondering. Nat # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 17:28:34 -0500 From: Nat Kone Subject: Re: Re: (exotica) Didn't RealAudio ask for it? At 11:15 AM 11/11/99 -0500, wlt4@mindspring.com wrote: >Don't know why you should feel guilty about buying used books or CDs. The artist has been paid and this is perfectly legal. Often the used copies were sold by reviewers who obviously didn't pay for it in the first place. That doesn't mean I feel guilty buying the used copy - which I always do if I can find it - but I also don't particularly feel like I'm supporting the artist. I've had it happen half a dozen times that I run into some guy whose record I own and I'm about to tell him "Hey I bought your record" and then I catch myself, remembering that my purchase didn't exactly contribute to his sales figures. Then again, I tell myself that my purchase of the used copy might have forced some other less lucky consumer to go buy it "new". But while we're on the subject, it does seem to me that there's a good analogy between downloading stuff online for free and shopping at used record and book stores. It's very very seldom that I go looking for a record (or book) because I saw an ad for it or heard it on the radio. (Or because all my friends have it.) When I do set foot in a "new" store, it's almost always because I took a chance on something at a used store, loved it and now I'm looking for more stuff by the same artist/author. Some people don't respond well to traditional forms of advertising and inducement. They have to experience it for themselves. (Unfortunately they're the minority.) The local HMV store here has an open return policy on CD's. You can return anything after you've heard it for a full refund. Or maybe it's just a full "exchange". Either way, even with the advent of CD burning etc, they get less than two per cent returns. Of course a true capitalist would be sweating about that one percent. Nat # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 17:28:38 -0500 From: Nat Kone Subject: (exotica) stereo vs mono I just got a stereo copy of "Music from a Surplus Store" to replace my mono copy. (Yeah it's no "Zounds" but it's still worth owning...) Anyway, it reminded me of something I've always wondered. If stereo records were playable on mono systems, why did they bother making mono versions? Especially on records like this one or Dick Schory stuff or another one of my faves, "The New Sound America Loves Best" by Sid Ramin with John Klein? Records with lots of percussive effects where stereo separation would obviously have an important role. On a few occasions, with Dick Schory or others, when I finally heard the stereo version, I felt like I'd never really heard the record before. And I'm not a total stereo fan. I don't think everything has to be stereo (let alone any of those systems with the "phantom third speaker") but it seems to me that this kind of stuff - "a basket full of new sounds" - was made to be heard in stereo? So what gives? And are there any lounge/percussion/exotica fans here who actually prefer the mono versions? Nat # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 17:46:22 EST From: SLarry3595@aol.com Subject: Re: (exotica) Didn't RealAudio ask for it? In a message dated 11/11/99 3:10:14 PM Eastern Standard Time, wlt4@mindspring.com writes: << >across copies of his novels in the used bookstores. Another royalty >he >didn't get, and the bookseller gets all the profit. (Not that begrudge But he already got a royalty from the copy; just not from the resale and considering how firmly established the First Sale Doctrine is, this is unlikely to change. It seems like an equitable arrangement to me--not only in its particulars but because changing it would probably do serious damage to the state of our culture--and yes that's speaking as someone who's had work resold with no further payment to myself. >> To add a final thought as to why the first sale Doctrine should never be changed: Would you like to have to pay the owner and the Ford Corp. for a used car. Or the owner and whoever for a used dryer? How about the tiki mug you bought at a yard sale? And who would set the price that the original manufacturer would be paid for the resold item? # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 17:48:19 EST From: SLarry3595@aol.com Subject: Re: (exotica) Astroslut cd In a message dated 11/11/99 3:47:39 PM Eastern Standard Time, ecam@voicenet.com writes: << I think you'd need one of these: http://www.voicenet.com/~ecam/home_record_maker.jpg >> Not long ago I saw one of these at a junk shop, but, alas it no longer worked. Otherwise I'd be cutting my debut LP right now! # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 22:50:13 +0000 From: Hugh Petfield Subject: Re: (exotica) stereo vs mono Nat wrote: >Anyway, it reminded me of something I've always wondered. If stereo >records were playable on mono systems, why did they bother making mono >versions? Stereo records were/are playable on mono systems but only if the cartridge is equipped with a suitable stylus. Ordinary mono styli damage stereo records. Hugh. # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 23:58:51 +0100 From: "Kristjan Saag" Subject: (exotica) Re: That early? Rcbrooksod@aol.com wrote (Nov 11): =20 =20 >And there was a comment that it was hard to record symphonic = >performances. I disagree. A single microphone pick up could be placed = at >a strategic acoustical point in the concert hall and very easily = record the >mono version. (BTW, they would often have a few mikes and = then take the >one they like the best) >tb - ---- We were talking about the days before microphones. All music on record = before 1925 was recorded acoustically, by use of horns. It proved very = difficult to register all instruments of a symphony orchestra, = especially strings, which were often substituted for brass and woodwind. = That's why Caruso, for instance, never recorded with full orchestra. = After his death (and when electric recording began) some of his = recordings were remixed: orchestral accompaniment was added to the = original recordings. Kristjan # Need=20 # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 18:16:40 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) That early? In a message dated 11/11/99 5:24:27 PM Eastern Standard Time, bruno@yhammer.com writes: << And where did their traditional music come from anyway? Did it develop in a vacuum? >> Deep man, deep! TB # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 18:19:55 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) stereo vs mono In a message dated 11/11/99 5:48:52 PM Eastern Standard Time, tribute@dircon.co.uk writes: << Stereo records were/are playable on mono systems but only if the cartridge is equipped with a suitable stylus. Ordinary mono styli damage stereo records. >> true mono has the needle riding up and down on the bumps. a stereo stylus "vibrates" back and forth from bumps in the side of the groove. OK, that was too simplistic so get ready for the tech-no-geek versions. TB # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 18:21:36 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) Zounds! It's stereo vs mono ! In a message dated 11/11/99 5:24:34 PM Eastern Standard Time, bruno@yhammer.com writes: << I just got a stereo copy of "Music from a Surplus Store" to replace my mono copy. (Yeah it's no "Zounds" but it's still worth owning...) >> if you have ever listened to Zounds! with headphones (or widely spearated speakers) you wonder why they even released a mono version. no, really. tb # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 18:22:21 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) stereo vs mono In a message dated 11/11/99 5:24:34 PM Eastern Standard Time, bruno@yhammer.com writes: << On a few occasions, with Dick Schory or others, when I finally heard the stereo version, I felt like I'd never really heard the record before. >> thus my Zounds comment. tb # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 18:25:48 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) stereo vs mono In a message dated 11/11/99 5:24:34 PM Eastern Standard Time, bruno@yhammer.com writes: << And are there any lounge/percussion/exotica fans here who actually prefer the mono versions? >> and let's add this to the debate: which version do of Denny's Quiet Village do you like better, the original mono version or the updated stereo version they re-recorded in 1959? i could argue both sides. TB # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 18:27:37 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) Re: That early? In a message dated 11/11/99 6:00:47 PM Eastern Standard Time, kristjansaag@swipnet.se writes: << We were talking about the days before microphones. All music on record before 1925 was recorded acoustically, by use of horns. >> alright, i'm out! tb # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 18:30:14 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) Martin Denny/Don Tiki show In a message dated 11/11/99 2:48:06 PM Eastern Standard Time, kevin@kevdo.com writes: << Given the multi-generational participation at this event (on Saturday at Don Ho's) it sure seems like a once-in-a-lifetime kind of thing. Sure wish I could afford to fly over there to see it... >> All RIGHT AGAIN!!!!! All this talk about this show (and Tiki Bob's obvious absence!) is really PISSING ME OFF ! ! ! ! ! TB !!!!! # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 15:52:33 -0800 From: The Millionaire Subject: re:(exotica)that early? Moritz wrote: > and starts with a wild rum intro that could make Perez Prado turn green. A "rum intro"?man...that's my kinda record! ;^) The Millionaire # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 15:57:39 -0800 From: The Millionaire Subject: (exotica) Luxuria.com If there are any Los Angeles-based listers (with great record collections!) who would be interested in being an an online dj at Luxuria, email me offline and I'll give you more details. gotta catch 'em all! The Millionaire millionaire@enigmadigital.com www.luxuriamusic.com # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 21:12:11 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) Tabu movie showing at Stanford In a message dated 11/11/99 8:42:33 AM Pacific Standard Time, kevin@kevdo.com writes: << This in no way makes up for missing Martin Denny and Don Tiki playing this Saturday at Don Ho's >> AAAAAAARRRRRRRRRRRRGGGGGGGGGGHHHHHHHHHHHHHH ! ! ! ! ! ! ! TB # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Thu, 11 Nov 1999 23:16:15 -0800 From: Paul Moshay Subject: Re: (exotica) Didn't RealAudio ask for it? on 11/11/99 2:28 PM the incisive Nat Kone scribbled; > The local HMV store here has an open return policy on CD's. You can return > anything after you've heard it for a full refund. Or maybe it's just a They *may* simply be re-shrinkwrapping cd's in the back room, if the cd's were not returned as defective and appear "clean". Not necessarily a problem. Tower used to do this alot. Paul Moshay # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 02:21:13 EST From: Ottotemp@aol.com Subject: (exotica) LA area DJs wanted Wonder What Combustible Edison is up to? Well they've broken up but the Millioniare has a new venture and you can be part of it! If there are any Los Angeles-based listers (with great record collections!) who would be interested in being an an online dj at Luxuria, email me offline and I'll give you more details. gotta catch 'em all! The Millionaire millionaire@enigmadigital.com www.luxuriamusic.com * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * This mailing list is brought to you by Slick.ORG at http://www.slick.org to remove yourself from the list, send e-mail to majordomo@slick.org and include the words "unsubscribe tikievents" in the message (not in the subject). For web-based help, go to: http://www.slick.org/cgi-bin/majordomo * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 10:41:48 +0100 From: Ton Rueckert Subject: Re: (exotica) That early? >Aaah! That's what I wanted to read. New record in tracing back the roots of >Exotica. Late 16th century... I wonder how exactely things developed in the >17th, 18th and 19th century! You also might wonder if you can trace back the roots of Exotica even further, for instance, what could Marco Polo have brought back from his travels, and the crusaders from theirs, how about the mass migration in the 4th century, and the heritage of (Roman) Empire? And is there anything left, maybe, from prehistoric time, when Europe itself was a (sub-)tropical paradise, then chased away by the ice ages, leaving us stuck in the ice and the rubble and seemingly searching for its lost soul ever since? Cheers, Ton *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** Ton Rueckert Mozartstraat 12 5914 RB Venlo The Netherlands *** *** mojoto@plex.nl http://www.plex.nl/~mojoto Ph 31/0 773545386 *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ Beware! Your bones are going to be disconnected. ~~~ ~~~ ~~~ http://www.geocities.com/BourbonStreet/4264/music/Xbe3975.ram ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 11:10:14 +0100 From: Mo Subject: Re: (exotica)that early? The Millionaire wrote: > Moritz wrote: > > > and starts with a wild rum intro that could make Perez Prado turn green. > > A "rum intro"?man...that's my kinda record! ;^) > when rural rum ran rumbustious and rumba rumbled resulting roaring rumpus, de decent dumb "d" disengaged disgraceful de drum, sanctioning sudden scandalous silence scorching surprised scene regret? rien! remediable rebound, remedy: remnant rum! Mo # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 11:24:02 +0100 From: Marco \"Kallie\" Kalnenek Subject: Re: (exotica)rum! (was: that early?) Mo wrote: > when rural rum ran rumbustious > and rumba rumbled resulting roaring rumpus, > de decent dumb "d" disengaged disgraceful de drum, > sanctioning sudden scandalous silence scorching surprised scene > regret? rien! remediable rebound, remedy: remnant rum! That's it, Mo. Quit painting and write, baby, write! Marco - -- Marco "Kallie" Kalnenek +------------------------------------------+ Record Collector's Heaven http://weirdomusic.freeservers.com/ +------------------------------------------+ # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 07:22:43 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) Didn't RealAudio ask for it? In a message dated 11/11/99 11:17:30 PM Pacific Standard Time, mighty65@pacbell.net writes: << > The local HMV store here has an open return policy on CD's. You can return > anything after you've heard it for a full refund. Or maybe it's just a They *may* simply be re-shrinkwrapping cd's in the back room, if the cd's were not returned as defective and appear "clean". Not necessarily a problem. Tower used to do this alot. Paul Moshay >> A great local/regional music store in the Carolinas has a policy where you can listen to the CD before buying it and return it in a week or so if you do not like it. They open the CD jewel boxes by letting the top "hinge" on the little tape "seal" and instruct you not to break the seal. They re-shrink wrap if you do not buy the CD. They have about 15 to 20 listening stations and you can go and listen to the CD. So half the list should like this and the other half will see it as some infringement on the CD companies ability to pay the cleaning lady a fair wage. Tiki Bob # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 07:27:05 EST From: Rcbrooksod@aol.com Subject: Re: (exotica) That early? In a message dated 11/12/99 1:42:28 AM Pacific Standard Time, mojoto@plex.nl writes: << You also might wonder if you can trace back the roots of Exotica even further, for instance, what could Marco Polo have brought back from his travels, >> OK, this has gone far enough! Exotica started in prehistoric times when so early human beat a stick on a log and "liked the rhythm" Tiki Bob # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 07:29:21 EST From: Rcbrooksod@aol.com Subject: Re: (exotica)that early? In a message dated 11/12/99 2:10:43 AM Pacific Standard Time, exotica@munich.netsurf.de writes: << and starts with a wild rum >> seriously, what was meant by the term "and starts with a wild RUM"? was that just short for RUMba? TB # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 13:45:02 +0100 From: Mo Subject: Re: (exotica) Astroslut cd What's an "astroslut"? Mo # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 07:47:05 EST From: SLarry3595@aol.com Subject: Re: (exotica) Didn't RealAudio ask for it? In a message dated 11/12/99 7:23:33 AM Eastern Standard Time, Rcbrooksod@aol.com writes: << They open the CD jewel boxes by letting the top "hinge" on the little tape "seal" and instruct you not to break the seal. They re-shrink wrap if you do not buy the CD. >> CDs have been previously listened to more than people would imagine. At a local shop where several people I know work the employees take home what they want, open them in the manner Bob mentions, record them or whatever, take them back and reshrink and sell them as new. And no one is the wiser. And this is fine with me. As long as the booklet has not been removed and handled a used cd is pretty much the same as a new one. However, doing this with an album should be sufficient cause for receiving the death penalty. # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 09:13:24 -0500 From: "Nathan Miner" Subject: Re: (exotica) Luxuria.com Wow! I love this audio l link! Now tell me - this can't be a continuous feed of entirely different music! = How long is the actual program before it repeats??? Just curious. Makes the living hell known as office cubicle paper-pushing just a *tad* = more bearable! - - Nate # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 14:42:23 +0000 From: Subject: Re: (exotica) Luxuria.com Why only LA-based DJs? Charlie charles_moseley@mckinsey.com +-------------------------------------------------------------+ | This message may contain confidential and/or privileged | | information. If you are not the addressee or authorized to | | receive this for the addressee, you must not use, copy, | | disclose or take any action based on this message or any | | information herein. If you have received this message in | | error, please advise the sender immediately by reply e-mail | | and delete this message. Thank you for your cooperation. | +-------------------------------------------------------------+ # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 09:52:14 -0500 From: wlt4@mindspring.com Subject: Re: Re: (exotica) Didn't RealAudio ask for it? >They *may* simply be re-shrinkwrapping cd's in the back room, if the >cd's >were not returned as defective and appear "clean". Of course it's nearly always obvious when that's been done. # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 09:55:36 -0400 From: lenkei Subject: (exotica) Re: Mancini I recently saw that Blake Edwards movie "A Shot In The Dark". The funniest part has to be the scene in the nudist colony, where among other things, an entire band is in the nude while playing Henry Mancini's theme song to the movie. Minus Mr. Mancini, as far as I could tell. It was Hilarious. Perhaps this is where the Red Hot Chili Peppers and Matthew McConaughey got their recent ideas from. - - bruce ++++++++++++++++++++ www.lenkeidesign.com ++++++++++++++++++++ # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 09:13:10 -0600 From: kingkini@tamboo.com Subject: Re: (exotica) Luxuria.com >Why only LA-based DJs? YEAH! ...? visit... +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ King Kini's C L U B V E L V E T http://www.tamboo.com +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Fri, 12 Nov 1999 09:05:22 -0500 From: "Rajnai, Charles, NNAD" Subject: RE: (exotica) LA area DJs wanted >=20 >=20 > Wonder What Combustible Edison is up to? >=20 > Well they've broken up=20 AAAAAAAAAAAAARRRRRRRRRRRRRRRRRGGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHH!!!! I am writhing in pain on the floor like Sinatra in "The man With the = Golden Arm"=20 visit=20 THE BRIMSTONES Eternal Surf and Garage Damnation=20 at http://www.brimstones.com =A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=BA=B0`=B0=BA=A4=F8,= =B8=B8,=F8=A4=BA=B0`=B0=BA=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4 surfing the chaos, Charlieman cdr@brimstones.com # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ End of exotica-digest V2 #541 *****************************