From: owner-exotica-digest@lists.xmission.com (exotica-digest) To: exotica-digest@lists.xmission.com Subject: exotica-digest V2 #602 Reply-To: exotica-digest Sender: owner-exotica-digest@lists.xmission.com Errors-To: owner-exotica-digest@lists.xmission.com Precedence: bulk X-No-Archive: yes exotica-digest Wednesday, January 19 2000 Volume 02 : Number 602 In This Digest: (exotica) re: Mauriat (exotica) re: Mauriat (exotica) Liquid Room-1/15 Re: (exotica) re: Mauriat/Hippie Goddesses Re: (exotica) re: Mauriat (exotica) [obits] Herb Graff,Meche Barba,Alphonse Boudard,``Ben'' Masselink,John Newland,John Morris Rankin (exotica) Re:paris records shop Re: (exotica) Sampling vs. Playing (exotica) Jerry Lewis live in Vegas (exotica) StratoLite Brand Radio (exotica) CD Reviews (exotica) the vanishing waltz Re: (exotica) audio learning laboratory/last call Re: (exotica) Sampling vs. Playing Re: (exotica) the vanishing waltz Re: (exotica) Breathe in...breathe out (exotica) Not music related, info. about CD-R stability...... (exotica) FWD> allmusicservices clearance CDs (exotica) Musicianship and Musicality (exotica) Sammy D (exotica) Sampling in hiphop - was something else I forgot to paste out of the digest (exotica) re: Pee-Wee's Quiet Village (exotica) Re: "Born Bad" ---------------------------------------------------------------------- Date: Tue, 18 Jan 2000 09:55:58 -0800 (PST) From: Peter Risser Subject: (exotica) re: Mauriat In all this discussion on Mauriat, I'm surprised no-ones mentioned his excellent covers! Those birds are worth the price of the record alone! Peter __________________________________________________ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 09:55:58 -0800 (PST) From: Peter Risser Subject: (exotica) re: Mauriat In all this discussion on Mauriat, I'm surprised no-ones mentioned his excellent covers! Those birds are worth the price of the record alone! Peter __________________________________________________ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 10:28:07 -0800 From: "Ponak, David" Subject: (exotica) Liquid Room-1/15 The Liquid Room airs every Saturday Morning (Friday night) from 3-6 on 90.7 FM KPFK. (98.7 in Santa Barbara County). Also check out my show The Nice Age at http://www.spikeradio.com. The time has changed. I'm now on Sunday afternoons from 3-6 PM, PST. The Liquid Room-1/15/99: 1.The Comittee-California My Way Happy Together: The Best Of White Whale Records (Varese Sarabande) 2.Mellow-Instant Love (single) (East/West UK) 3.Le Maledictus Sounds-Jim Clark Was Driving Recklessly s/t (Mucho Gusto-Canada) 4.Lee Hazlewood-She Comes Running 13 (SLR) 5.The Third Wave-Don't Ever Go Here And Now (Crippled Dick) 6.Aimee Mann-Build That Wall Magnolia Soundtrack (Reprise) 7.Jerry Lewis-Rock A Bye Your Baby With A Dixie Melody Just Sings (Decca) 8.Jim O'Rourke-Not Sport Martial Art Halfway To A Threeway (Drag City) 9.Brian Eno-The Lion Sleeps Tonight Eno Box II (EG) 10.Stevie Wonder-Another Star At The Close Of A Century (Box Set) (Motown) 11.Cornelius-Brand New Season (Giant Ear Mix) Free Fall (Single b-side) (Matador-UK) 12.Bjork-Isobel (Deodato Remix) single (One Little Indian-UK) 13.Leslie Gore-What Am I Gonna Do With You It's My Party (Box Set) (Bear Family-Germany) 14.Baxendale-Music For Girls Was It Him Or His Music? (Various artists sampler-Le Grand Magistery) 15.Michel Polnareff-Miss Blue Jeans Les Premiere Annes (box set) (Universal-France) 16.Melon-Quiet Village ('92 Mix) Deep Cut Remix (Sony Japan) 17.M. Frog-We Are Crazy Labat (Bearsville) 18.Ethel Azama-Ringo Oiwake Exotic Dreams (Liberty) 19.Swing Slow (Harry Hosono & Miharu Koshi)-Yuki Ya Konko Swing Slow (Mercury-Japan) 20.Yuji Oniki-Tokyo Clover (Refrain) Orange (1 Plus 1) 21.The Free Design-You Be You And I'll Be Me Heaven/Earth (Teijuku-Japan) 22.Bertrand Burgalat-Sexy Boy Au Royaume De Tricatel (L'Appareill Photo-Japan) 23.Etienne Charry-Raye Du Bottin 36 Erreurs (Tricatel-France) 24.Jerry Lewis-I've Got The World On A String Just Sings (Decca) 25.Cibo Matto-We Love Our Lawyers At Home With The Groovebox (Grand Royal) 26.Davie Allan & The Arrows-Shape Of Things To Come The Wild Angels & Other Themes (Curb) 27.Arling & Cameron-Hashi Music For Imaginary Films (Emperor Norton) 28.Isaac Hayes-In Pursuit Of The Pimpmobile Truck Turner Soundtrack (Stax) 29.Pizzicato Five-Goodbye Baby & Amen Pizzicato Five (*********-Japan) 30.The Divine Comedy-Frog Princess (Live) Rarities (Setanta-UK) 31.Scott Walker-Stormy Till The Band Comes In (BGO-UK) 32.Roy Budd-Goodbye Carter Get Carter Soundtrack (Castle-UK) 33.Professor Takeo Yamashita-Playgirl (The Readymade Darlin' Of Discoteque Track) Mission 4 (Escalator-Japan) 34.Yashuharu Konishi-Main Theme I Messaggeri Degi Imbecilli Van All Ovest (Wave) 35.Nino & April-You'll Be Needing Me Baby All Strung Out (Varese Sarabande) 36.The Critters-Mr. Dieingly Sad Younger Girl (Kapp) 37.Mama Cass-The Good Times Are Coming Dream A Little Dream-The Best Of Cass Elliot (MCA) 38.Tommy Roe-Now Its Winter Day Greatest Hits (MCA) 39.The Fur Ones-Organic In The Park Odd Numbers (Monorail) 40.Ketty Lester-Love Letters Blue Velvet Soundtrack (Varese Sarabande) 41.Astrud Gilberto-Where There's A Heartache (There Must Be A Heart) Astrud Gilberto (Columbia/CTI) 42.Paul Williams-Morning I'll Be Movin' On Someday Man (Reprise) # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 13:46:35 -0500 From: Bump Subject: Re: (exotica) re: Mauriat/Hippie Goddesses >In all this discussion on Mauriat, I'm surprised >no-ones mentioned his excellent covers! Those birds >are worth the price of the record alone! Perfect segue to a new CD bootleg i just bought and am enjoying immensely! Beware: this CD is contains pure Woman-Power!, Love Goddess folk/psychedelic tunes guaranteed to make you sweat. the Xaviera Hollander bit is hilarious. here is the write up in Forced Exposure Hippie Goddesses A bootleg compilation of 60s/70s femme-sploited psych album tracks, subtitled "The most sexciting moments ever put on record!" Features select tracks by cult artists such as Sally Eaton, Linda Perhacs, Carolyn Hester, etc. -- as if the compiler went through his collection of catalogs by Paul Major of Parallel World to find the most obscure and exotic psych tracks with the female pulse. The final tracks is a bizarre spoken word hippie encounter by Xaviera Hollander, the original Happy Hooker. Annoying presentation: no artists are identified by their full name & and the full color booklet of notes and "era-minded" notes neglects a basic track listing, giving it a somewhat dodgy feel. "Calling all swingers! Here's a super sexy psychedelic trippy acid audio fantasy just for you! If you got off on Beyond the Valley of the Dolls you'll bust blood vessels over this! Wanna hear spaced out hippie chicks groove to the acid beat of LSD! Then meet Cheryl, Collen, Michele, Sally, Carolyn, Tobie, Marge, Ruth, Linda, Lilly, Maria, Xaviera and their friends!!! This CD contains the best and rarest in 1960s-70s femme psych compiled for the first time for your aural enjoyment. Truly a dedication to the passionate female musicians of the 1960s. It's Sex-a-delic! It's a Love-In! It's a Freak-Out! It's What's Happening! Are you man enough to groove with these voluptuous siren's?" In the name of informational freedom, we have secured the rights to publish the secret tracklisting for this comp: 1. SALLY EATON: "Flowers In the Air" 2. COLLEEN LOVETT: "Birds with Broken Wings Pt 1" 3. CHERYL DILCHER: "All Woman" 4. COLLEEN LOVETT: "Women Liberation Blues" 5. CHERYL DILCHER: "High" 6. CAROLYN HESTER: "I'm Magic, Man" 7. LILLY & MARIA: "EveryBody Knows" 8. MICHELE: "Smilin'" 9. MARGO GURYAN: "Love" 10. TOBIE COLUMBUS: "Come In My Mouth" 11. RUTH COPELAND: "Your Love Been So Good To Me" 12. COLLEEN LOVETT: "Asleep In His Arms (part)" 13. COLLEEN LOVETT: "Love Man" 14. MICHELE: "Believe You" 15. LINDA PERHACS: "Parallelograms" 16. COLLEEN LOVETT: "Birds with Broken Wings Pt 2" 17. XAVIERA HOLLANDER: "The Hippie" ******************************** Bump Universal DJ Defective Records bumpy@megsinet.net http://www.defectiverecords.com "Music, Non-Stop" -- Ralf + Florian # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 11:41:58 -0800 (PST) From: chuck Subject: Re: (exotica) re: Mauriat Just thrifted Love Is Blue today in near mint and yesterday in okay condition. Looking forward to more Mauriat magic covers Easy listening in the Big Easy Chuck - --- Peter Risser wrote: > > In all this discussion on Mauriat, I'm surprised > no-ones mentioned his excellent covers! Those birds > are worth the price of the record alone! __________________________________________________ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 14:54:07 -0500 From: nytab@pipeline.com Subject: (exotica) [obits] Herb Graff,Meche Barba,Alphonse Boudard,``Ben'' Masselink,John Newland,John Morris Rankin *Herb Graff NEW YORK (AP) -- Herb Graff, who devoted most of his life to collecting, preserving and showing movies, died of heart failure Sunday at his home in Manhattan. He was 74. Graff began collecting movies as a teen-ager, buying one-reelers and even scraps of film discarded by film companies. His collection eventually grew to several hundred features and more than 1,000 shorts, and his calling card read simply, ``Film Resource.'' His principal interest was in early talkies, especially musicals, but his collection included silent films and works from the 1940s. Born in Boston and raised in Brooklyn, Graff was active for many years as a consultant and lecturer, showing his movies on a 16-millimeter projector, often with a scratchy soundtrack. He offered a series of public screenings, and also showed films on PBS and at Town Hall in Manhattan. Though he was never a critic or author, he was considered a significant contributor to the art of movies, knowing more about them than most historians or archivists. Despite his passion for film, it was a second job for Graff, who worked as a salesman in the garment industry until 1983. He then went to work for the Castle Hill film company and remained a movie professional for the rest of his life. In a 1989 profile in The New Yorker, Graff recalled saying to himself, ``Were I to die my tombstone would read, ``Here lies Herb Graff, Sold Shirts in White, Pink, Beige and Blue, and Every Five Years Lilac.'' - ---------- *Meche Barba MEXICO CITY (AP) -- Meche Barba, a circus performer's daughter whose smoldering beauty brought her fame as a dancer in Mexican films, died Friday of pulmonary emphysema. She was 77. Mercedes Barba Feito was born in New York, where her Spanish-born father, Antonio, had been performing with a circus. Barba and her sister Carmen began performing as children to help support the family when their father fell ill. Appearances on Mexico's premier theater stages led to film roles starting in 1937. Though Barba once insisted she wasn't pretty enough to be a film star, she won acclaim for her beauty and her acting presence. During Mexico's ``Golden Age'' of cinema, she was cast beside stars such as singer Jorge Negrete and German Valdes, the comic actor better known as Tin Tan. She came to be known as ``the queen of the rumba,'' for her sensuous dancing in more than 50 films. http://allmovie.com/cg/x.dll?UID=2:41:11|PM&p=avg&sql=B3805 - ---------- *Alphonse Boudard NICE, France (AP) -- French writer Alphonse Boudard, who brought the world of his rough youth to his novels, died Friday. He was 74. Boudard was hospitalized a week ago, suffering from heart problems and respiratory difficulties. An illegitimate child, Boudard spent much of his youth on the streets with petty criminals. He used to say he was bilingual, speaking both French and slang. Boudard made his debut on the literary scene with the novel ``The Metamorphosis of the Woodlice,'' which he wrote in 1962 after spending four years in jail for burglary. In 1963, Boudard's novel, ``The Cherry,'' won the Sainte-Beuve prize and ``The Fighters for Small Happiness'' won the Renaudot prize in 1977. The prestigious Academie Francaise awarded his ``To Die from Childhood'' a great novel prize in 1995. Boudard was also a scriptwriter, specializing in dialogue for movies like ``Trouble in Panama'' from 1965 and ``The Sun of the Vandals'' from 1967. He married in 1958, and had two sons. http://allmovie.com/cg/x.dll?UID=2:41:11|PM&p=avg&sql=B226762 - ------- LOS ANGELES (AP) -- Benjamin ``Ben'' Masselink, a novelist, columnist and script writer for ``Hawaii Five-O'' and ``Starsky and Hutch,'' died Thursday of prostate cancer. He was 80. Masselink wrote a column called ``Tales of an Ancient Beachcomber.'' It most recently ran in the Daily Breeze, published in Torrance. His work also appeared in the Los Angeles Times, TV Guide, Playboy, the Saturday Evening Post, Ladies' Home Journal and Cosmopolitan. Masselink wrote a series of books, and in the 1960s focused on television writing and produced scripts for ``Dr. Kildare,'' ``Marcus Welby, M.D.,'' ``Barnaby Jones,'' ``Hawaii Five-O'' and ``Starsky and Hutch.'' *John Newland LOS ANGELES (AP) -- John Newland, the dignified host of the old ``Alcoa Presents'' television series, died Jan. 10. He was 82. Newland directed and was the host of all 99 segments of ``Alcoa Presents,'' which ran from 1959-61. The show dramatized case histories of supposed occult phenomena. It later went into syndication as ``One Step Beyond.'' He also had roles on ``Robert Montgomery Presents,'' ``Philco Playhouse,'' ``Studio One'' and ``Kraft Theater.'' He directed TV movies and episodes of many shows, including ``The Loretta Young Show,'' ``Alfred Hitchcock Presents,'' ``Wonder Woman'' and ``Fantasy Island.'' He was 51 when he directed his first film, ``My Lover, My Son,'' a 1969 British feature about incest starring Romy Schneider. http://allmovie.com/cg/x.dll?UID=2:41:11|PM&p=avg&sql=B104365 - -------- *John Morris Rankin MARGAREE HARBOUR, Nova Scotia (AP) -- John Morris Rankin, a member of the musical family that helped popularize Cape Breton-style Celtic music, was killed Sunday when his truck ran off a road into the ocean. He was 40. Rankin died while driving his son and two other teen-agers to a morning hockey game. The three youths were all rescued unharmed from the frigid ocean water off Nova Scotia in eastern Canada. Rankin played fiddle and piano with his four siblings in groups known first as The Rankin Family and then the Rankins. Their music drew from the strong traditional Celtic roots of Cape Breton island, a part of Nova Scotia. The group sold more than 2 million records and won five Juno Awards, the Canadian equivalent of the Grammy. The Rankins broke up last summer so members could pursue independent careers. http://allmusic.com/cg/x.dll?UID=2:43:53|PM&p=amg&sql=B160121 http://elvispelvis.com/johnmorrisrankin.htm - -------- More info on Gene Harris: http://elvispelvis.com/geneharris.htm - ------- # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 21:28:13 +0100 From: Bissia Subject: (exotica) Re:paris records shop So were is "born bad", i need the address for my next visit to Paris, thanks # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 15:13:34 -0500 From: Ross 'Mambo Frenzy' Orr Subject: Re: (exotica) Sampling vs. Playing This question is a really interesting one--but I'd be wary of making too many generalizations about it. Digital music gear, like any other technology, makes certain things easier and certain things harder to do--and so inevitably it affects the styles of music people play. But I would claim that people remain just as creative as they were (or were not) in the past. It's just that they're developing their skills in new areas. So we don't quite know yet what it would mean for somebody to be the "Mozart of sampling." Right now people can make music with incredibly complex layered rhythms, and with an enormous palette of sound timbres--it may be the richest moment so far in history for those areas. Looping and sampling can open up music-making to people who never had much success with acoustic instruments (as in my case, with those disastrous, scarring, childhood viola lessons). So in that sense it's a "democratizing" technology--which I think is healthy. But it's true that the "default" mode for loop-based music is a lot of monotonous repetition, with the kind of rigid quality Mo was talking about. (I was just thinking that the polar opposite might be something like Japanese Shakuhachi flute music--where the meter is very indeterminate, and the nuances of each breath become important.) (Needless to say, we can safely predict that in a few years there will be some massive backlash against all this. . . ) Now, I find that the metronomic beat of some rhythm loops has a positive quality, too--you know, the hypnotic thing. . . But it does help when that is *contrasted* against some more live, human elements. I feel mostly lost when it comes to current music. . . but just as one example I think Underworld's _Beaucoup Fish_ is a case where the loops & samples are nicely balanced against interesting dynamics, and other more "humane" qualities. . . cheers, --Ross || Ross "Mambo Frenzy" Orr || Ann Arbor, Michigan USA # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 13:17:18 -0800 From: "Ponak, David" Subject: (exotica) Jerry Lewis live in Vegas This past Saturday (1/15) I made the trek from Los Angeles to Las Vegas to pay my respects to my hero, Jerry Lewis, who was doing a 4 night stand at the Orleans Casino. The show was a blast. At 73, the man has an unbelievable amount of energy. Backed up by a 30 (ish) piece orchestra, the (2 hour!) show was a combination of stand-up, songs, video clips, monologues, and physical routines. The stand-up jokes were definitely groaners, but everything else was a blast. He mimed to an old Mario Lanza record, did the typewriter routine, the little boy monologue, and countless others. A special thrill was his singing "That Ol' Black Magic." Buddy Love lives! # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 16:53:26 -0500 From: dciccone@inspex.com Subject: (exotica) StratoLite Brand Radio Someone told me about this web page: http://www.stratolite.com/dyn/MRN/ Some kind of shopping web page with RealPlayer radio. Some exotica and lounge selections. Les Baxter and UL featured in the "top drawer" page. Domenic # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 14:26:35 -0800 (PST) From: Peter Risser Subject: (exotica) CD Reviews A few CDs I’ve picked up since Xmas or so, thought I’d drop a line: MoPlen 2000: It’s not bad for the Italian promo reissue stuff. Nothing that really screams, but it’s all decent to pretty good. Not a resounding endorsement, but I ain’t sellin’ it. Scoctopus: The first half of this disc is just funky-ish piano jazz a la johnny pearson or soul orchestral. It sounds like Vince Guaraldi to me, but it’s listenable. The second half makes this a must have with funky vocalise over flutes, guitars and horns. Who is Roberto Conrado? He rocks. Cornelius: Okay, I dissed it before, put it down for eight months and tried again. I like it. Don’t LOVE it, but it’s pretty good Jap pop all the way through. Dusty in Memphis: Didn’t dig it. Very syrupy, I thought, and not what I wanted, which is more Son of a Preacher Man stuff. Her version of Windmills of Your Mind is good too. A few of the bonus tracks were more in my line as well, but overall, I’m sellin’ this one. Dean Martin Capitol Collection: Well, as I heard more and more from ol’ Deano, I thought, boy I really dig this cat. So, why not. Well, apparently because I had heard all the good songs. All the songs I had heard were good ones, all the ones I hadn’t were sorta stinkers, in my opinion. I’m sure he’s got other good stuff out there, it just didn’t make its way here. Sell it. Music from the Man from UNCLE and More Music...: Arranged by Hugo Montenegro, but composed by all sorts of people, these two discs are great. Much better than I ever expected. They’re Spanish RCA imports though, which sucks. Still, decent quality and fanTAStic tunes. Mission: Impossible, Then and Now: Nah. Not even the Lalo stuff sticks with you and the other dude (Mr. Now), well, it’s not very good. This is on GNP Crescendo, but I wanted to hear some of the “then” stuff. I was disappointed. Love Organ (from Laserlight): A very mediocre comp, even at a low price. Nothing that stood out and lots to ignore. I’m not getting any of the other Laserlights either at this point, unless someone convinces me different. Music for the Jet Set and Lymans’ Sonic Sixties: From HiFi records, both snoozers in my opinion. I usually love covers, but Lyman’s covers are so uninspired I’ve completely forgotten which ones he addressed. And the jet set comp was just all over the map, with some world music and forgettable exotica tracks thrown in. Both of these were disappointing and will pretty much keep me from HiFi releases in the future. Pop Romantique - Various artists covering Serge, Francois Hardy and Bob Dylan tunes all in french. A very nice package for an English speaker, but for you Francophiles, I don’t know if it’d go over as well. Still, I like it and listen to it when I want something soft, vaguely alternative and interesting. A nice package. Maracas, Marimbas and Mambos, music from MGM films: From Rhino, a very documentarial set. Quite humdrum, unless you are really totally into old film and then you might want to have it around as a reference. But I could barely make it through one run alive. Sell it. The Reel Quincy Jones: A great comp from Hip-O. I wish there were more bits from cool movie soundtracks and less from The Color Purple and Roots. Still, they had to be fair. It’s got the long Sanford and Son theme, Hikky Burr from the Bill Cosby show in the 70s, plus killer tracks from Mr. Tibbs, Pawnbroker, $, Anderson Tapes, the Wiz and so on. Lots of nice funky stuff here. That’s it for me. Let me know what you think. Thanks for listening. Peter __________________________________________________ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 18:03:35 -0500 From: itsvern@ibm.net Subject: (exotica) the vanishing waltz Have you ever had the experience where someone points out to you that something is missing, and you go 'Oh My God, You're right! ... I never noticed that before' I just had that experience. The Washington Post just had an article about the vanishing waltz. I know that the waltz is far from being 'exotica', but I figured most of you have skimmed past hundreds of waltz LPs from the 1950's in the thrift bins without noticing that it has really been in hiding mode lately. So here's the article link, if you're interested. Good perspectives on how dance fads rise and fall, a mention of a Henry Mancini tune, and even a few quotes from the Athur Murray dance schools. If you're the type of person who at least ONCE tried to learn some dance from the foot-step patterns on the back of an LP, then I think you'll like this article. http://www.washingtonpost.com/wp-srv/WPlate/2000-01/16/025l-011600-idx.html Vern # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 18:51:11 -0500 From: Nat Kone Subject: Re: (exotica) audio learning laboratory/last call At 12:08 PM 1/18/00 -0500, Bump wrote: > >P.S. Nat, you sure you don't wanna do this? ;) One of your posts describing this ring said something like "You might get assigned a correspondent in Europe and you might have to send him tapes every couple of weeks but that's the luck of the draw" or words to that effect. And as much as I love Europe and especially our members in Europe, I just don't trust myself to make it to the post office every two weeks with another tape, let alone make the tape. And to be honest, I still don't know what I'll be receiving. Every other day, I'll get someone else's tape and then I listen to it a couple of times and then mail it to Europe? I'm pretty I just don't get it. Nat # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Wed, 19 Jan 2000 00:46:24 +0000 From: Moritz R Subject: Re: (exotica) Sampling vs. Playing Ross 'Mambo Frenzy' Orr wrote: >(...) D'accord to all you said, Ross. I don't really know why this thing turned into a controversy anyway. The main factor of confusion, as I see it, was mixing up sampling and programming, which are two very different things. > (I was just thinking that the polar opposite might be > something like Japanese Shakuhachi flute music--where the meter is > very indeterminate, and the nuances of each breath become important.) Funny coincidence: Just 3 days ago, on Saturday, I was listening to an old tape of Japanese theater music, and decided that this is the most interesting music of all and that I want to get into it deeper. Any idea where to start? > (Needless to say, we can safely predict that in a few years there > will be some massive backlash against all this. . . ) And we are working on it right now! Mo # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 19:05:46 -0500 From: Citizen Kafka Subject: Re: (exotica) the vanishing waltz One of the great waltzes (albeit 30-odd years ago): Manic Depression - Jimi Hendrix ck there was a great LP called the waltz project, and there are numerous, but not thought of as such, waltzes around... # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 22:19:25 -0500 From: Peter Ledebur Subject: Re: (exotica) Breathe in...breathe out "David J. Strauss" writes: >> From: >EXTERNAL@MCKINSEY.COM> >> Anybody know Journey To Bliss by Emil Richards and the >>Microtonal Blues Band? > >Pretty excellent. Side two is a sidelong narrated travelogue of >inner space, as Richards takes us on a "journey". > >As Verve is running the Impulse! label, don't expect to see this >on disc anytime soon. I thought that Impulse was under GRP; granted Verve and GRP are both now run by Universal. Peter - ---- Music for Better Living Wed. 6-7pm -- WZBC 90.3 fm Newton/Boston http://members.aol.com/Hifibliss/mfbl.htm # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 10:46:47 -0500 From: "Nathan Miner" Subject: (exotica) Not music related, info. about CD-R stability...... Just an FYI from another newsgroup: I'm learning about ageing characteristics of CDRs right now. A number of = my year-old blank-labeled (no painted label) CDRs are turning from silver = to brown around substantial areas of the outside edges. Now that's = unstable. They still work, but if the sputtered aluminum mirror is = browning, it's probably only a matter of time before the data contrast = disappears. (Actually, I suspect it'll be a long while before real = problems surface.) I have no idea what's happening to the CDRs with = painted labels, as the mirror coat is unviewable. I've been thinking of = inert atmospheres and CDR stability for the past few weeks now. Doubt = I'll take any action, just trying to learn about the limits. My latest learnings: Do NOT allow the blank-labeled (unpainted) CDRs to = contact fingerprints or other CDR surfaces (as when restacked). These = coatings are way fragile and reactive, though felt markers seem to work OK = on them. Once exposed to the air, CDRs can attract dirt which will cause = scratching of the data-layer if restacked. I now only buy CDRs with = FULL-COVERAGE painted labels protecting the superthin mirror surface. Just my genuinely unqualified opinion (though I did do semi-related = research work at the Univ of MN's Center for Micromagnetics and Information= Technology for a number of years, so something may have rubbed off), Shoe. # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Mon, 17 Jan 2000 19:46:20 +0100 From: Johan Dada Vis Subject: (exotica) FWD> allmusicservices clearance CDs From: michael@allmusicservices.com Subject: More clearance CDs Mandingo, PRIMAL RHYTHM OF LIFE (import)--$9.99 Soundtrack, FROM EROTIC FILMS THE PLEASURE OF MUSIC (import)--$11.99 Original soundtrack (Henry Mancini), THE PARTY (Japanese import)--$17.99 # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 12:50:57 -0800 From: "Stephen W. Worth" Subject: (exotica) Musicianship and Musicality Date: Tue, 18 Jan 2000 08:05:25 +1100 From: "Keith E. Lo Bue" Subject: (exotica) URIPEEWEE and Cut-em-Up Rage >It saddens me a bit to read that one of the major 'reasons' why people >sample is by a professed lack of musical ability. In the first half of this century, quality of music was a matter of musicality (pure music) and musicianship (skill at playing). Today musicality has swamped musicianship. This isn't a recent thing. It goes back to the advent of modern Rock n Roll and the Beatles. Not that the Beatles were bad, mind you... they had more musicality as composers and performers than a hundred of their peers. They just set the wrong example for others to follow who weren't as gifted as they were. Everyone is looking for a shortcut I guess. See ya Steve Stephen Worth bigshot@spumco.com The Web: http://www.spumco.com Usenet: alt.animation.spumco Palace: cartoonsforum.com:9994 Spumco International 415 E. Harvard St. Ste. 204 Glendale, CA 91205 # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Tue, 18 Jan 2000 23:01:12 -0600 From: "Darrell Brogdon" Subject: (exotica) Sammy D This just landed in my mailbox from Rhino Records. "Sammy and Friends", featuring Sammy doing tunes with the Rat Pack guys, plus Basie, Buddy Rich, Nelson Riddle, Billy May, Jimmie Haskell and Sam Butera & The Witnesses. It's a nice mix, including rare tracks from "Ocean's Eleven", plus "Johnny Cool", "Salt and Pepper" and "Robin and the 7 Hoods". Some of these tracks are probably available already, but the "Ocean's Eleven" tunes, according to the liners, have never been on CD before. Love that "EE-O-Eleven"! Darrell Brogdon dbrogdon@ukans.edu The Retro Cocktail Hour KANU Radio Broadcasting Hall The University of Kansas Lawrence, KS 66045 Visit The Retro Cocktail Hour at: http://kanu.ukans.edu/retro.html Listen to The Retro Cocktail Hour at: http://kanu.ukans.edu/retrolisten.html # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Wed, 19 Jan 2000 09:17:11 -0000 From: Reader Geoff Subject: (exotica) Sampling in hiphop - was something else I forgot to paste out of the digest I thought the roots of sampling in HipHop were (was) down to 'turntablism', cutting and scratching and mixing records together, for example listen to 'Grandmaster flash and his adventures on the wheels of steel' from around '81. The Grandmaster and his Technics live in the studio mixing up Chics 'Good Times', Blondies 'Rapture', Queen and the Furious Five. Once samplers became inexpensive (I heard the residents payed 15,000 UK Pounds for the rental of Emulators for the Mole show tour in '83?) they would be a natural choice, they are a lot more consistant, and easier to use. I hate to think how many takes it took for Wheels of Steel to go down onto tape in the version it did. As a HipHop art form it was quite widespread, once they'd had record contracts the DJ's used to play Instrumental versions for the MC's to rap over (though I saw LL Cool J rapping over vocal versions of his stuff), but the DJ would usually have some slot in the show where they could show off their skills. It is pretty impressive watching someone play a 1 bar break on 2 decks switching between them and keeping the beat. 'Rock tha beat with your hand' El Maestro Con Queso djcheesemaster@yahoo.com grr@brighton.ac.uk http://www.shitola.freeserve.co.uk/cheese/cheese.htm http://www.geocities.com/djcheesemaster/ > In early days using a >sample by one of your musical heroes was more like a hommage to that artist >and not a rip off, especially when black musicians sampled black musicians. >White musicians often used "black samples", because there was no white >musician who could play or sing like that. Was that incorrect? Politically incorrect? Probably. Factually incorrect? Probably that too. I don't even know what the argument is but I've always assumed that samples were used in hip hop for one reason above all. They were cheap. They were do-it-yourself. Even if you could play an instrument, which many couldn't, it was still much cheaper to use the samples. # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Wed, 19 Jan 2000 06:17:16 EST From: Realbiglar@aol.com Subject: (exotica) re: Pee-Wee's Quiet Village >From: Thinkmatic@aol.com >Subject: (exotica) Pee Wee's Quiet Village >I got the Denny album "Exotic Moog" some months ago >and listened to the "Quiet Village"(moog version) >which is also on Ultra Lounge 18 - Bottoms Up!. >I recognized it as part of the opening theme song >to the 1980's Pee Wee's Playhouse show. Sometime late in the run of "Pee-Wee's Playhouse", the theme song was changed to sound less like Quiet Village. I guess that the publishers of QV made 'em do it. Larry # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ Date: Wed, 19 Jan 2000 06:43:22 -0500 From: brian@phyres.lan.mcgill.ca Subject: (exotica) Re: "Born Bad" OK I spent a disproportionate amount of my time in Paris in record stores... Anyway, "Born Bad" is a newer one in the Opera Bastille district where most of the most interesting stores in Paris continue to be (U Bahn & Rough Trade were also in the same area). I don't know thew exact address but it's on Rue Keller. It specializes in garage, surf, punk and is one of few store with old French pop 45's that are affordable! I remember some very odd classification titles but this is where you'd most likekly find compilations like "Ils sont fous ces Gauloises" or "Swingin Mademoiselles". "Wave" is the place to go for anyone into experimental music, and is an offshoot of the very good store of same name in Nancy. "Bimbo Tower" is perhaps the best stocked store I've ever come across for oddities, mainly Japanese. You could spend hours here (just ask Cheryl!) just looking at the collection even though the store itself is tiny The store is a testament to the dedication of of those that operate it. An absoulute must visit and while there say hi to Franq who is one half of the group Dragibus. Both these stores are within blocks of each other in the same Opera Bastille district. Dan mentioned a store in Paris with Crocodile or Alligator in the name. This is "Crocodisc" and its offshhot "CrocoJazz". Both are side by side on Rue des Ecoles, near the Sorbonne. This store has been around since our first visit in 1980 and it was in that time a really good store. I have to admit to being seriously disappointed last visit this past fall. It is full of vinyl but prices are ridiculously high - even for Europe, bins are over stocked, and there is nothing of interest in the place unless you like mainstream rock/jazz. I'm not sure why this store is still in operation but I think all cities have these kind of places. The store I most miss is Odd Size, located in a fascinating yet most unlikely district for an experimental record store. I've heard the owner has closed to take a break after many years and I only hope he will someday return. This store was the highlight of our 1995 visit. Sorry I'm not able to add this all to Dan's site for the next while. I will try to update the Montreal listings once I get some time to do so. I don't get to stores so often anymore but as North American cities go, it is still a goldmine for French and other European oldies. Prices are comparatively low (especially if you happen to be from the US or UK!) and there's something for every pocketbook. No you don't get Esquivels for a buck, and well you could at one time get copies of Bimbo Jet for a buck but that's another story... but what am I saying, Moritz or Nat can both vouch for the pickings here if you need a second opinion! Brian Karasick Physical Planner McGill University Montreal, Canada # Need help using (or leaving) this mailing list? # Send the command "info exotica" to majordomo@lists.xmission.com. # To post, email exotica@lists.xmission.com; replies go to original sender. ------------------------------ End of exotica-digest V2 #602 *****************************