From: zorn-list-owner@xmission.com To: zorn-list-digest@xmission.com Subject: zorn-list Digest V2 #9 Reply-To: zorn-list@xmission.com Errors-To: zorn-list-owner@xmission.com Precedence: zorn-list Digest Friday, 9 August 1996 Volume 02 : Number 009 In this issue: whoops Re: Subsonic 4 and Ikue Mori Re: Subsonic 4 and Ikue Mori [none] Re: Subsonic 4 and Ikue Mori Re: filmworks films Re: whoops Re: zorn-list Digest V2 #8 Re: zorn-list Digest V2 #8 Elliott Sharp's State of the Union Re: Elliott Sharp's State of the Union Re: zorn-list Digest V2 #8 Subsonic 1 B. Previte, A. Fier, A. Parkins Re: Subsonic 4 and Ikue Mori Re: whoops Re: zorn-list Digest V2 #8 Re: B. Previte, A. Fier, A. Parkins Re: B. Previte, A. Fier, A. Parkins Re: whoops Re: Elliott Sharp's State of the Union See the end of the digest for information on subscribing to the zorn-list or zorn-list-digest mailing lists and on how to retrieve back issues. ---------------------------------------------------------------------- From: Les_Rhoda@voyager.umeres.maine.edu (Les Rhoda) Date: Wed, 7 Aug 1996 16:20:05 -0400 Subject: whoops I posted something to the list that should have gone elsewhere. I'm truly sorry. When I first jumped on here, people were bitching about bootlegs because Zorn doesn't dig them. Ttherefore, I stayed away from groveling. Hope peoples panties aren't all in a bunch b/c I mentioned the Masada w/ Frisell bootleg. BTW, does anyone know what Mr. Bill's taping policy is? I taped him stealth the night before the KF/Masada gig, in Boston. I'm just wondering if he likes copies of his shows or what... This list is the best music resouce I have on the net. Thank you ALL for the recommendations. Once again, sorry for the blunder. Waiting for the digest to see the damage, Les - ---------------------------------------------------------------------- Les Rhoda "If you can't lick 'em, stick 'em on 533 Clark Island Rd. with a big piece of tape" Clark Island, Me. 04859 http://inferno.asap.um.maine.edu/emp/les - --------------------------------------------------------------------- LOOKING FOR ZORN, FRISELL, NEGATIVLAND, MMW etc. and all those funky lo-fi tapes you did in your basement.... - --------------------------------------------------------------------- ------------------------------ From: jeffs@hyperreal.com (Jeff Spirer) Date: Wed, 7 Aug 1996 14:29:05 -0700 Subject: Re: Subsonic 4 and Ikue Mori At 7:45 AM 8/7/96, Wilson, King of Prussia wrote: >>Seems like there's generally been a bit of interest on the list in the >>Subsonic series. I just spotted a mention of #4 for the first time tonight >>(in the Rough Trade Shop's catalogue). Featured artists this time around >>are: >> >> CASPAR BROTZMANN + PAIGE HAMILTON >> >>neither of whom I've ever heard (I've never even heard of Hamilton). >> >>I also spotted an Ikue Mori title that's new to me: >> >> Garden >> >>That's it for news. Reviews anyone? > > Page Hamilton is the guy behind Helmet. I've also heard he plays on some >new Praxis album that is in production.... I know I pointed this out in another posting, but this is backburnered for now. Jeff jeffs@hyperreal.com http://www.hyperreal.com/axiom/ ------------------------------ From: jeffs@hyperreal.com (Jeff Spirer) Date: Wed, 7 Aug 1996 14:33:12 -0700 Subject: Re: Subsonic 4 and Ikue Mori At 8:28 AM 8/7/96, Patrice L. Roussel wrote: >On Tue, 6 Aug 1996 23:05:33 -0700 xander@sirius.com wrote: >> >> Seems like there's generally been a bit of interest on the list in the >> Subsonic series. I just spotted a mention of #4 for the first time tonight > >Sure! > >> (in the Rough Trade Shop's catalogue). Featured artists this time around >> are: >> >> CASPAR BROTZMANN + PAIGE HAMILTON >> >> neither of whom I've ever heard (I've never even heard of Hamilton). > ^^^^^^^^ > >Hamilton started to play (some even say learnt to) in Band Of Susans. Like >many NY musicians, he was involved in some of Glenn Branca's projects. >Lately he has been leading the rock band Helmet. > >Caspar is of course the son of who you know. He is a guitar player with >a strong bend on the experimental side. I am not too crazy about Massaker >(his band), but I really enjoyed his duo with F.M. Einheit (from E.N.'s fame). Caspar also did an awesome duet album with his dad, available on Pathological. The CD might be called The Vodka King, I don't have it in front of me. Jeff jeffs@hyperreal.com http://www.hyperreal.com/axiom/ ------------------------------ From: Jason Caulfield Bivins Date: Wed, 7 Aug 1996 19:58:24 -0500 (EST) Subject: [none] Are people really having trouble finding "Five" by the Dave Douglas String Band? I ordered it through CDNow in April - it took them 3-4 weeks, but I had it by early May. It should be fairly accessible by now. For those who dug "Parallel Worlds", it's probably an even better disc - the band has had time to mature, and Douglas's writing continues to improve. He is a long way from being "only" the trumpeter from Masada. Jason Bivins ------------------------------ From: pmcarey@students.wisc.edu (Patrick Carey) Date: Thu, 8 Aug 1996 05:48:52 -0500 Subject: Re: Subsonic 4 and Ikue Mori >> CASPAR BROTZMANN + PAIGE HAMILTON >> >>Caspar is of course the son of who you know. He is a guitar player with >>a strong bend on the experimental side. I am not too crazy about Massaker >>(his band), but I really enjoyed his duo with F.M. Einheit (from E.N.'s fame). >Caspar also did an awesome duet album with his dad, available on >Pathological. The CD might be called The Vodka King, I don't have it in >front of me. The CD is called "Last Home" (Pathological 4CD) and it is currently out of print ... The cover has a shot of father & son in front of The Vodka King, a liquor joint in NYC. - -Patrick ------------------------------ From: "M.Ho" Date: Thu, 8 Aug 96 13:33:19 EDT Subject: Re: filmworks films > > > i asked this before, but got no answer, possibly due to server > naughtiness, so... > > -->Does anyone know how to get any of the films that john zorn > scored for? Has anyone seen them? Are they good? > > -jascha > I found the Golden Boat through university co-op. I'm in Virginia and most of the state schools do a co-op through university libraries. I found this film at University of Virginia. If you can, try going through a University library co-op because they are the only ones who purchase independant and experimental films because they have the budget (these films tend to be too costly for any store or whatever to purchase, esp. without much of an audience). I've yet to recieve it so I can't give a review but I believe, if memory serves me correct, Jim Jarmusch is also in it (or some New York scenester of that type). And actually I think there were one or two more zorn-scorred films at UVa but I'm not sure. ------------------------------ From: IOUaLive1@aol.com Date: Thu, 8 Aug 1996 15:29:01 -0400 Subject: Re: whoops In a message dated 96-08-08 05:33:26 EDT, Les_Rhoda@voyager.umeres.maine.edu (Les Rhoda) writes: > Hope peoples panties aren't all in a bunch b/c I mentioned > the Masada w/ Frisell bootleg. Hey, watch how you throw that word around.. a bootleg is something you purchase, an unauthorized copy of a show on cd, vinyl, video or whatever. At least thats the way I look at it. That Masada show w/Frisell may have been passed around, but not sold (I hope). I dont think Bill would be interested in any copies of his performances, but I dont think he cares if you tape him. IOUaLive1@aol.com ------------------------------ From: JoLaMaSoul@aol.com Date: Thu, 8 Aug 1996 16:20:43 -0400 Subject: Re: zorn-list Digest V2 #8 I really feel that the original Cobra release on Hat Hut can't be topped!! The knitting Factory release has some very interesting moments (and players) but couldn't top the collaborations of Zorn, Frizzell, Elliott Sharp, Zeena Parkins, etc. etc. etc ------------------------------ From: "Patrice L. Roussel" Date: Thu, 08 Aug 1996 13:54:22 -0700 Subject: Re: zorn-list Digest V2 #8 On Thu, 8 Aug 1996 16:20:43 -0400 JoLaMaSoul@aol.com wrote: > > I really feel that the original Cobra release on Hat Hut can't be topped!! > The knitting Factory release has some very interesting moments (and players) > but couldn't top the collaborations of Zorn, Frizzell, Elliott Sharp, Zeena > Parkins, etc. etc. etc It is kind of funny to read reviews about the KF Cobra record. You wonder sometimes if the reviewers are from the same world, or are really listening to the same record (or even opened it...). I am not talking about reviewers without interest for music on the edge, but on the contrary people who are always ready to take a chance with the most extreme music. Concerning COBRA on the KF label, reviews range from very bad to very good. Some think it is better than the Hat Hut one; some think that it is really bad, specially after the Hat Hut. Everybody knows that music criticism is not an exact science, but when even respected (and supposedly) knowledgeable critics disagree to such extent, you start to wonder... Anyway, I personally have a hard time with the KF record and I am wondering if the fact that it took more than two years to be released is not related to Zorn's doubts about its value. I prefer the Hat Hut, but still think that game pieces should be released on video (too dry on record). Patrice. ------------------------------ From: Wlt4@aol.com Date: Thu, 8 Aug 1996 22:13:25 -0400 Subject: Elliott Sharp's State of the Union Has anybody heard this? Just saw a listing in the Ajax mail order catalog (ajax@ripco.com) but it was released by Atavistic. Includes Zorn, Arto Lindsay, Marc Ribot, C. Marclay, Fred Frith, Y. Eye, etc etc etc. Double CD listed at $13.50. Lang Thompson http://members.aol.com/wlt4/index.htm ------------------------------ From: Jeff Schwartz Date: Thu, 8 Aug 1996 22:38:13 -0400 (EDT) Subject: Re: Elliott Sharp's State of the Union I was just listening to it today. It's a collection of 1 minute pieces by a mess of different people. One set is from 1996, one from 1992, and one from 86. There was (in 92?) a single CD version. I think the 2 CD version has everything from the old one. There's a bunch poets on it as well as new music. It's fun-it reminds me of a real cool out-there college radio show, where the DJ is doing a long set fading stuff in and out, playing bits of spoken word in between tunes... On Thu, 8 Aug 1996 Wlt4@aol.com wrote: > Has anybody heard this? Just saw a listing in the Ajax mail order catalog > (ajax@ripco.com) but it was released by Atavistic. Includes Zorn, Arto > Lindsay, Marc Ribot, C. Marclay, Fred Frith, Y. Eye, etc etc etc. Double CD > listed at $13.50. > > Lang Thompson > http://members.aol.com/wlt4/index.htm ------------------------------ From: IOUaLive1@aol.com Date: Fri, 9 Aug 1996 00:01:14 -0400 Subject: Re: zorn-list Digest V2 #8 In a message dated 96-08-08 17:06:16 EDT, proussel@ichips.intel.com (Patrice L. Roussel) writes: > Anyway, I personally have a hard time with the KF record and I am wondering > if the fact that it took more than two years to be released is not related > to Zorn's doubts about its value. I prefer the Hat Hut, but still think > that game pieces should be released on video (too dry on record). > > Patrice. > I think that is a good idea. I was thinking about that when I saw Cobra on 8/2 at the Knit. It sounded incredible, but honestly sometimes it's impossible to tell who is playing what. I noticed this because I had an obstructed view, and couldnt see all the musicians. The sound is all a big picture, but if I know Zeena Parkins is playing something, I'd like to *see* her play it, because I may not be able to distinguish it in the mix. And thats another thing, it is really hard to get a good balance between the instruments in a live setting like that, sometimes it requires a good sound engineer. 12 musicians at once, that's a lot of sound. And also just to be able to see everyone watching Zorn for the next cue... and when he points at every musician consecutively and they play one fast note.. these things would be very interesting to watch on video. IOUaLive1@aol.com ------------------------------ From: xander@sirius.com Date: Thu, 8 Aug 1996 21:54:41 -0700 Subject: Subsonic 1 > Anyone heard the disk with Ribot? I'm not sure where the archives for the Zorn list are, but there will be some notes on this one among them. In short, Subsonic 1 is much more "difficult listening" than #2 or #3. No beats or ambient elements in either the Ribot or Frith material. For me it numbers among many discs that sound great if I'm just listening to the music and doing nothing else, but not very pleasant as a soundtrack to your life's activities. There's the warning. The Ribot tracks take off where the most noisy material on Shrek stops. I haven't heard much by Frith, so I have to compare this to the old "live in Japan" box set from the early 80's. It's in the same vein of noise making. One of the tracks features these techniques on solo acoustic. Alexander ------------------------------ From: xander@sirius.com Date: Thu, 8 Aug 1996 21:54:48 -0700 Subject: B. Previte, A. Fier, A. Parkins I'm interested in anyone's opinions on Bobby Previte, Anton Fier, and Andrea Parkins. There are still discs on Avant in one of the local stores by the first two. I've never heard anything by either. Recommended? Also, another title from the rough trade cat' that I got earlier this week is: >STINA NORDENSTRAM + ANTON FIER Photographers wife soundtrack My Swede-pop penpal says of Stina: >Stina Nordenstam is a jazzy, cool, almost ambient figure. Nice, judging >from what I've heard. And, it would seem, of such stature in Sweden that he expects to be able to pick up some samples for me from the local library. Lastly, I saw a newish release on KFW by Andrea Parkins. Accordianist. Who I would assume is one of Zeena's sisters? Anyone heard her? Thanks, Alexander ------------------------------ From: xander@sirius.com Date: Thu, 8 Aug 1996 21:54:34 -0700 Subject: Re: Subsonic 4 and Ikue Mori >Caspar is of course the son of you know who. Seems like this may be common knowledge, but I don't know anything about the father. ? >> I also spotted an Ikue Mori title that's new to me: >> >> Garden > >That's her first solo record on Tzadik. Is it really out? It was announced >for August 20 As far as the catalogue that I saw the title in goes, the shop has always implied that the lists were of items received in the shop. But we should know soon enough. Alexander ------------------------------ From: Les_Rhoda@voyager.umeres.maine.edu (Les Rhoda) Date: Thu, 8 Aug 1996 17:16:55 -0400 Subject: Re: whoops >> Hope peoples panties aren't all in a bunch b/c I mentioned >> the Masada w/ Frisell bootleg. >Hey, watch how you throw that word around.. a bootleg is something you >purchase, an unauthorized copy of a show on cd, vinyl, video or whatever. >At least thats the way I look at it. That Masada show w/Frisell may have >been passed around, but not sold (I hope). Welp, I guess I did. Even with the gracious amounts of money that I excitedly fork over for Tzadik cd's, I would NEVER do any kind of trade for cash. (--insert Jack Nicholson: "...we use words like Honor....Code..."--) Thank you for the lesson in vocabulary though. I'm going to go scold all of those hippies that I know who who have been collecting "bootlegs" for since the good 'ol days... Enough. Bring the noise. Les - ---------------------------------------------------------------------- Les Rhoda "If you can't lick 'em, stick 'em on 533 Clark Island Rd. with a big piece of tape" Clark Island, Me. 04859 http://inferno.asap.um.maine.edu/emp/les - --------------------------------------------------------------------- LOOKING FOR ZORN, FRISELL, NEGATIVLAND, MMW etc. and all those funky lo-fi tapes you did in your basement.... - --------------------------------------------------------------------- ------------------------------ From: Bob Boster Date: Fri, 9 Aug 1996 05:47:49 -0700 (PDT) Subject: Re: zorn-list Digest V2 #8 On Thu, 8 Aug 1996, Patrice L. Roussel wrote: > Anyway, I personally have a hard time with the KF record and I am wondering > if the fact that it took more than two years to be released is not related > to Zorn's doubts about its value. I prefer the Hat Hut, but still think > that game pieces should be released on video (too dry on record). I would tend to agree that the KF release is a little harder to handle, and the majority of that is because of sound quality (from my perspective). There are some amazing moments on the KF CD, but the general sheen of "bootleg"-esque sound that exists is really hard to get behind. The idea of releasing the stuff on video is exactly right, but Zorn's reticence to let his image into the world (as if he felt his sould was being captured) seems to make this unlikely. I really enjoyed the recent Knit show and felt that live (and with a primary "electric" line-up) the piece works much better than on CD. The idea of a video release is great and would start to achieve that sort of audience experience, but that the recorded output just doesn't work (not even the hat hut release). Nice thing about the Knit show was seeing the Cobra vets (A. Coleman, David Shea, Chris Cochrane, Zeena) operating in a group with some talented newbies (Spooky, Wm. Parker, Susie Ibara) and following those dynamics. Nice to see Zorn conducting too. Got a real sense of how the conductor's role was concieved. Bob ------------------------------ From: Bob Boster Date: Fri, 9 Aug 1996 06:05:30 -0700 (PDT) Subject: Re: B. Previte, A. Fier, A. Parkins On Thu, 8 Aug 1996 xander@sirius.com wrote: > Lastly, I saw a newish release on KFW by Andrea Parkins. Accordianist. > Who I would assume is one of Zeena's sisters? Anyone heard her? Yes, Zeena's sister. Yes, amazing to hear some out improv techniques on accordion. Playing with Briggan Krauss (Pigpen, Myth Science) and Kenny Wolleson (New Klezmer Trio, Junk Genius). Sort of tending towards the Ornette end of things, but they go even farther out at a couple moments. She's still developing and will go a long way I'm sure. Supposedly great live, but I missed her What Is Jazz? set. Bob ------------------------------ From: denman@nyc.pipeline.com (Denman Maroney) Date: Fri, 9 Aug 1996 13:18:57 GMT Subject: Re: B. Previte, A. Fier, A. Parkins Andrea Parkins plays keyboards and sundry digital electronics as well as accordion, simultaneously. She leads a band that I haven't heard and don't recall who's in. She plays with Ellery Eskelin's band which is Ellery (tenor sax), Andrea and Jim Black (drums). I heard them live at In-House, David Lopato's place on Greenwich St. in NYC, and they were wonderful. And I have a Songlines CD they did called "jazz trash," which I like a lot. On Aug 08, 1996 21:54:48, 'xander@sirius.com' wrote: >I'm interested in anyone's opinions on Bobby Previte, Anton Fier, and Andrea >Parkins. > >There are still discs on Avant in one of the local stores by the first two. >I've never heard anything by either. Recommended? > >Also, another title from the rough trade cat' that I got earlier this week is: > >>STINA NORDENSTRAM + ANTON FIER Photographers wife soundtrack > >My Swede-pop penpal says of Stina: > >>Stina Nordenstam is a jazzy, cool, almost ambient figure. Nice, judging >>from what I've heard. > >And, it would seem, of such stature in Sweden that he expects to be able to >pick up some samples for me from the local library. > >Lastly, I saw a newish release on KFW by Andrea Parkins. Accordianist. Who I >would assume is one of Zeena's sisters? Anyone heard her? > >Thanks, > >Alexander > - -- Denman Maroney ------------------------------ From: herb@eskimo.com (Herb Levy) Date: Fri, 9 Aug 1996 07:48:12 -0700 Subject: Re: whoops Uh, the term "bootleg" has nothing to do with whether money changes hands. It has to do with the legitimacy of the the product under consideration, being derived from a method of smuggling, ie, bringing something where it is not allowed. Think, for example, of bootleg liquor smuggled into the States during Prohibition. At this time it was not merely illegal to sell liquor, it was illegal to possess it, even for personal use. The erroneous use of the term "bootleg" is quite common in situation such as the one below, in which someone wants to obscure the fact that the major moral problem with bootleg recordings is NOT economic, but respect for artistic control of how one's work is presented. I KNOW that I'm not going to change any minds with this. Still, all the usual talk about "I have ALL of the commercial recordings already" & "well, I just traded for it, I didn't pay for it, so it's okay" is a lot of quibbling designed to obscure some very real moral issues surrounding bootlegs. >>> Hope peoples panties aren't all in a bunch b/c I mentioned >>> the Masada w/ Frisell bootleg. > >>Hey, watch how you throw that word around.. a bootleg is something you >>purchase, an unauthorized copy of a show on cd, vinyl, video or >whatever. > >At least thats the way I look at it. That Masada show w/Frisell may >have >>been passed around, but not sold (I hope). > >Welp, I guess I did. > >Even with the gracious amounts of money that I excitedly fork over for >Tzadik cd's, I would NEVER do any kind of trade for cash. (--insert >Jack Nicholson: "...we use words like Honor....Code..."--) > >Thank you for the lesson in vocabulary though. I'm going to go scold >all of those hippies that I know who who have been collecting >"bootlegs" for since the good 'ol days... > >Enough. Bring the noise. > >Les > >---------------------------------------------------------------------- >Les Rhoda "If you can't lick 'em, stick 'em on > 533 Clark Island Rd. with a big piece of tape" >Clark Island, Me. 04859 > http://inferno.asap.um.maine.edu/emp/les >--------------------------------------------------------------------- >LOOKING FOR ZORN, FRISELL, NEGATIVLAND, MMW etc. >and all those funky lo-fi tapes you did in your basement.... >--------------------------------------------------------------------- Herb Levy herb@eskimo.com ------------------------------ From: "Patrice L. Roussel" Date: Fri, 09 Aug 1996 08:07:26 -0700 Subject: Re: Elliott Sharp's State of the Union On Thu, 8 Aug 1996 22:13:25 -0400 Wlt4@aol.com wrote: > > Has anybody heard this? Just saw a listing in the Ajax mail order catalog > (ajax@ripco.com) but it was released by Atavistic. Includes Zorn, Arto > Lindsay, Marc Ribot, C. Marclay, Fred Frith, Y. Eye, etc etc etc. Double CD > listed at $13.50. This is the third incarnation of the STATE OF THE UNION project. A LP in 1982; a CD in 1992/1993, and now a 2xCD (a 4xCD in 1999?). - ------------------------------------------------------------------------------ *** - STATE OF THE UNION: various artists This record features three sets of musicians, one from 1982 was available on a LP, one from 1992 only available on a CD, and one from 1996 only available on a 2xCD set. 1982: John Lurie, Felipe Orrego, Peter Blegvad/John Greaves, Diana Meckley, Bill Obrecht, Pulsallama, Bartok Lieberman, Michael Boom, Squat Theatre, A.C. Chubb, Gerry Lindahl, Arto Lindsay/Toni Nougueira, Social Climbers, Sonorexia, Tim Wright, Spalding Gray, Thi-Linh Le, Christian Marclay, Adele Bertei, Ivan Kupala, Charles K. Noyes, Chris Vine, Tuli Kupferberg, Sue Hanel, Butch Morris/Jessica Hagedorn, F.A. Nettelbeck/Wayne Horvitz, Martin Bisi/Victoria Galvez Bisi, Melody Sumner, Marina La Palma, Bob Holman/Vito Ricci, Artless Time Band, Fred Frith/Tina Curran, Patrick Sumner, Hi-Sheriffs Of Blue. 1992: David Garland, Barbara Barg, Borbetomagus/Voice Crack, Soldier String Quartet, Margot Mifflin, Krackhouse, Ikue Mori, Anthony Coleman, God Is My Co-Pilot, Lois V. Vierk/Ngoneni Cele, Marc Ribot, Vicki Stansbury, GenKen Montgomery, John Zorn/Yamatsuka Eye, David Fulton, Nicholas Collins, Marc Sloan, Syd Straw, David Linton, Pamela Z, Grafted Media Devil, Mofungo, Henry Kaiser, Mad Arab, David Shea, Alex Noyes, Wanda Phipps/M. Doughty/ Jonathan Maron, Michelle Kinney, Brian Karl, Lee Ann Brown/Sarah Boyd Blair, A Thousand Tiny Fingers, Leslie Ross, Hal Willner, Shelley Hirsch. 1996: John Duncan, Tricia Worden, Ui, Queen Esther, Pain Killer, Penny Arcade, Chris Haskett, Anne Elliott, BardEvansPugliese, Steve Piccolo, Circuit Redux, Jaron Lanier, Maggie Estep, Frank Rothkamm, Happy Boy, J.F. Coleman, Rebecca Moore, Allen Ginsberg, Paul deMarinis, Lenny Kaye, Norman Yamada, DJ Spooky, Mark Helias, Matthew Ostrowski, Mark Degliantoni, Pharmacy Lounge, Tracie Morris, Andrea Parkins, Hakim Bey, Reed Ghazala, Sim Cain, Cameron Allen/Ahrin Mishan, Machine Gun, Ebon Fisher, The Hound, Lauren Weinger, DJ Olive, Lucius Sheppard, Zeena Parkins, Babytooth, Edwin Torres, Heimlich Maneuver, Bad Behavior, Lukas Ligeti, Chris Cochrane, Joseph Trump, Jack Womack, Gary Hinesley, Judy Dunaway, F.I.B., Run On, Lynne Tillman/Dave Hofstra, Michael Lowenstern, Cyrnai, David Greenberger, Seven Kings, Theo Bleckmann, Katie O'Looney, Kurt Ralske, Annie Gosfield, Minus, Peter Sherer, Frank Pahl, Mark Trayle, Jenifer Berman, Digitalis, Christina Wheeler, Jon Gibson, Dim Sum Clip Job, Tom Schmidt, Mars Williams/ Ken Vandermark, Tony Maimone/Yuval Gabay, Michael Pugliese, Twisted Tutu, Timber, Philorene, Roger Kleier, Karthik Swaminathan. 1996 - Atavistic (USA), ??? (2xCD) - ------------------------------------------------------------------------------ All the tracks are about one minute. Check also at: http://www.panix.com/~esharp/ Patrice. ------------------------------ End of zorn-list Digest V2 #9 ***************************** To subscribe to zorn-list Digest, send the command: subscribe zorn-list-digest in the body of a message to "majordomo@xmission.com". If you want to subscribe something other than the account the mail is coming from, such as a local redistribution list, then append that address to the "subscribe" command; for example, to subscribe "local-zorn-list": subscribe zorn-list-digest local-zorn-list@your.domain.net A non-digest (direct mail) version of this list is also available; to subscribe to that instead, replace all instances of "zorn-list-digest" in the commands above with "zorn-list". Back issues are available for anonymous FTP from ftp.xmission.com, in pub/lists/zorn-list/archive. These are organized by date.